On the way

  • The Last Summer

    A short film by Ines Ballesteros, Michela Dal Brollo and Alicja Nowicz

    RESIDENCY and INTERVENTION IN PUBLIC SPACE 7/2023

    Halo Kultura, Międzytorze, Gdynia ,Poland

    In 2023 during fourteen summer days, Michela Dal Brollo, Ines Ballesteros, and Alicja Nowicz take part in the dynamics of the Międzytorze. To start relating with the space they use a tool called cum-panis, a self-made portable pizza oven. 

    During the moments of sharing, the phones used for filming pass from hand to hand, thus questioning who is the observer and who is the observed subject.

    FILM SYNOPSIS

    The last summer became a testimony of Międzytorze, a space in a postindustrial area of Gdynia (PL) that borders the city centre. 

    In contrast to the hectic surroundings, life in Międzytorze moved in slow motion, as if waiting for its end.

    This temporary unproductive land breaks the density of the urban landscape, becoming the house of human and non-human inhabitants, welcoming erratic beings and wild plant species.

    A group of homeless people gave Międzytorze new rules, transforming it into a place with its own internal geography. Areas called Portugal or Spain were public spaces furnished with objects rejected by the city, spaces with room for confrontation, mutual support, and sharing frustrations.

    The story of Międzytorze is the same story of millions of other places in the world. The wild cherry trees and spontaneous plants were replaced by skyscrapers and its inhabitants were forced to emigrate, defining a new periphery. The summer ended and with the spring came the bulldozers to destroy this place as we knew it. Real estate developers lay the foundations for skyscrapers to grow. 

    Produced in the context of the artistic residency at Halo Kultura 

    Co-financed by the City of Gdynia and Flanders State of the Art.

    The movie was shown at Halo Kultura, Gdynia, and in the Archipel site and Het Bos, Antwerp.

  • Memorie future – Disseminati

    SOLO EXHIBITION and PERFORMANCE 6/2023

    Memorie future, S. Osvaldo church, Rovereto,Italy

    Solo exhibition:

    The monographic exhibition at S. Osvaldo is entirely dedicated to the project Living Equipment: portable spaces, by Michela Dal Brollo and Ines Ballesteros, and is articulated between their visionary inventions and the documentation of their use in performances carried out in different cities in Europe between 2019 and 2023.” Elena Righini (curator)

    Part of the exhibition showcases sculptural tools used during the workshop-performance. The ‘Parol della Polenta’, a typical Trentino pot supported on a tripod is used to mix ingredients and pieces of storytelling to prepare gelatine used for printting.  The gelatin was then pureed into other clay sculptures called ‘Laghi’.

    Performance:

    To elaborate on this relational installation Michela and Ines drew inspiration from trichoptera, small creatures that live in rivers or lakes. These aquatic insects have a soft and vulnerable exoskeleton, so they build their own ‘shell’ using their saliva and materials found in the surrounding environment. Depending on the environment, the created shell changes color and shape, sustainably adapting to the space. Their method of assembly inspires the artists, who create, together with the participants of the interactive workshops, a collage of ideas, which are then expressed through gelatin printing. A collective habitat is thus created, founded around the gelatin according to the specificities of the place involved in the process”. Elena Righini

    Elena Righini curated the exhibition. The exhibition took part in the program of Memorie Future organized by Spazio Piera and il Funambolo associations. 

    Thanks to the partnership of Scuola di S. Osvaldoando and La Foresta who supported our project.

    The sculpture “Laghi” was shown and performed as well during the festival Osvaldo Oltre e Oltre in the form of a workshop  to make collective drawings

  • Pigtails & Pigeon Wings – Board Game

    EXHIBITION / BOARD GAME 05/23

    Antwerp Art Weekend, Archipel, Antwerp, Belgium

    “Pig Tails and Pigeon Wings” is a board game that shows the causes and effects of critical or small actions that contributed to transforming the neighborhood of Den Dam in Antwerp for how we see it now. To realize it we were inspired by events that happened or could have happened in the past. Investors, social housing, the ring project, artists activating the vacant space of the old slaughterhouse of the city, new housing projects, peripheries, pigeons, rats, and all the pigs and cows that passed through the space, neighborhood actions, small actions, and big moves brings you back and forward in the game.

    The game was presented on the portable table “Rotula” during the exhibition Vanishing Past(s) in Archipel in the context of Antwerp Art Weekend.

  • Cibo Casa Città

    WORKSHOP 10/2022

    Organized by Cultural Association La seconda luna Laives, Italy

    How our cities will be linked to food in the future?

    The project CIBO CASA CITTÀ was divided into four meetings and aimed to involve the community of Laives and neighboring communities in a discussion on how food determines the city’s shape and how the city defines the type of society that inhabits it. 

    The initiative proposed a reflection on various themes (food, urban planning, self-construction, and relationships). 

    Toutor of the laboratories: Sara Filippi Plotegher – Scientific illustrator and nutritionist; Marco Cestarolli – Architect-craftsman; Michela Dal Brollo- Living equipment: portable spaces – Relational artist.

    During the last meeting, each participant was invited to bring an ingredient and tell something related to it. We mixed the ingredients and the participants’ stories. The ingredients brought became the filling for the pizzas cooked with the Living equipment cum panis.

  • Art go East

    EXHIBITION and INTERVENTION IN PUBLIC SPACE 10/2022

    Biennial for Contemporary Art, Leipzig, Germany

    In the context of the ART GO EAST biennial we participate in the exhibition “To enchant” at Poege Haus In Leipzig together with the artists, Aleksandra Majzel, Gijs Watershoot and Rien Schellemans

    We use the exhibition space as an open studio space to organize an intervention in public space.

    “The living equipment” intrudes a small portion of public space. We proposed to the participants a game to create a story by reimagining infrastructures and characters of the surrounding space. Each invented character, needs another participant to complete and animate it.
    The Gelatinografo and cum panis were the devices used to imagine a place with other relationships and gravity. The intervention in public space concludes with the creation of a small publication.

    Fotos: Nathalie Valeska Schüler

  • How To Survive as an Artist

    RESIDENCY 8/2022 

    Biennale van Mol-Rauw, Belgium

    Michela Dal Brollo and Inés Ballesteros join the Biennale van Mol-Rauw with their Living Equipment tools. In this edition, the Biennale van Mol-Rauw is organized around the topic “How to survive as an artist”.

  • Dis-Connected

    EXHIBITION 05/2022 

    Antwerp Art Weekend, Vleeshaak  Archipel site, Antwerp, Belgium

    One bird had two long wings and four wheels instead of legs. It could become two or more and when necessary come back as one creature. They could fold and unfold, flip and twist. Now they wander the city in search of places to temporarily build their nests, their form and function remain flexible and change quickly, infiltrating the inner rhythms of the city. They unfold a backpack and fire comes to warm the guests and bring a meal together. At the end of the day, the bird feeds a blue gelatine with their stories. The stories melt and the jelly expands and multiplies.

    Five of the Living Equipment: Cum-Panis, Gelatinografo, Bibliotek, Ruotala, and our Mapping Tool have been staged in the group exhibition “Dis-connected” during the “Antwerp Art Weekend,” in the Vleeshaak, Archipel.

    By exhibiting indoors, the habitat of “Living equipment” is transformed giving more attention to their sculptural values. In the exhibition, it was possible to concentrate on how we subvert the logic of usual design objects, such as tables, wheelchairs, or parapending merging their functions and changing their anatomy. 

    The “living equipment” are shown as objects with personalities, experiences, and stories about the world outside the exhibition, where they create unforeseen circumstances. 

    The narratives produced were shown through prints about the stories and drawings of experiences lived in public spaces elaborated into new narratives.

  • Stone Soup Session

    INTERVENTION IN PUBLIC SPACE 05/2022 

    Supported by the research group B&M reinvented (RAFA), Den Dam, Antwerp, Belgium

    On the occasion of the soup session, we presented our research methodology on a work-in-progress site of the Den Dam, Antwerp, under the bridge of the ring (R1).

    We present ourselves with Ruotala, our portable studio on wheels. We introduce our methodology of research and show how we use our research tools Living Equipment to collaborate with “liminal” public spaces of Antwerp.

    The food prepared was made with collected spontaneous weeds. The artists talk about each plant present in the recipes introducing their strategy to reproduce and transform human-build environments and how their behaviors can be an inspiration for artistic methodology. 

    On the menu and protagonist of the Soup session:

    -Soup with nettle, wild hops, elder ground and garlic mustard.

    -Garlic mustard pesto. 

    -Wild hops in oil.

    -Sourdough bread with nettle flour

    -Japanese knotweed cake

  • (IDW) re-ACT by design International

    WORKSHOP Masterclass tutoring 02/2022 

    University of Antwerp / Royal Academy of Fine Arts 

    Archipel – Luchtbal, Antwerp, Belgium

    In the context of the RESEARCH WEEK, re-ACT by Design organized by the Faculty of Design Sciences, we tutored the MASTER CLASS called “Living Equipment – portable spaces”.  The workshop was intended for students of Fine Arts from the Academy and students of UA Departments of Architecture, Product Development, Interior Architecture, and Heritage.

    The week was organized through the different Living Equipment tools, with one day of mapping spaces to intervene, one day of printing and communicating with neighbors, one day of setting up the structure and experimenting with its possibilities, and one final day where the different tools come together also with cooking. 

    The didactical aim of the workshop was to experiment and experience the possibilities of mobile and relational architecture with the students. 

    On the interventions in public space, we collaborate with the neighbor Pierre DJ

    https://www.uantwerpen.be/en/projects/international-design-workshops/react-by-design-2022/workshops/

  • Last Month Tonight

    RESIDENCY and Lecture performance 09/2021

    Wpzimmer, Antwerp, Belgium

    https://wpzimmer.be/nl/residencies/living-equipment-portable-spaces/

    During “Last Month Tonight”, residents and members of wpZimmer’s community came together to share their research questions and present their processes and projects.  

    We gave a lecture-performance where we performed one of The Living Equipment, the Gelatingrafo, as a tool for dialogue and collective thinking, together with a Living Equipment – Mapping Tool to map threshold spaces of Antwerp. As an output of the session, a series of hectographs prints were produced, illustrating the conversations and thoughts of the participants.

  • Open Laboratory Weeks

    INTERVENTION IN PUBLIC SPACE 23-24 09/2022

    Supported by the research group B&M reinvented (RAFA), Antwerp, Belgium

    https://www.ap-arts.be/evenement/body-material-reinvented-open-laboratory-weeks

    As a contribution to the Open Laboratory, we temporarily activated a common space in the parking space of the Academy at Blindestraat. 

    We perform Cum-Panis to prepare food together with the participant and we perform the Gelatinografo to print on location. On this occasion, we used for the first time a Living equipment – Mapping Tool specifically made to map the threshold space of Antwerp. 

    These tools were used to open conversation about the potential of so-called “liminal places”. 

    During the “Open Laboratory Weeks”, we create situations to share knowledge around the following questions: How can we use liminal places for diverse and heterogeneous urban practices? How can we as artists and citizens reclaim them as public spaces?

  • Stone Soup

    RESIDENCY 07/2020  

    Supported by Kunstenplatform PLAN B Antwerp, Belgium

    Stone Soup, is inspired by an oral story in which two travellers travel from village to village. When they arrive in the village, they announce that they will make a soup with just a stone, they only ask each resident to bring a vegetable. In the end, the entire village eats the soup they made together. With that story in mind and equipped with nothing more than a portable oven and some kitchen utensils, we made an itinerary from Antwerp to the Ruppel River, where we spent the night in residents’ gardens and cooked with what was available. Using local ingredients and knowledge of how to make something with them to organize a collective meal.

    Stone soup is conceived as itinerant research, to experiment with a nomadic methodology in rural areas.  

    The Living Equipment cum-panis and gelatinografo have been performed during the itinerary in Noeverm in the Ruppel region. The collected materials, about the territory’s ecologically and socially complex history, have been edited into the Stone Soup publication and redistributed on the location.

    You can find a diary of the itinerary here and an interview with the artist here .